Music for Orchestra Iii/Musique Pour Orchestre III by Elaine Keillor

Cover of: Music for Orchestra Iii/Musique Pour Orchestre III | Elaine Keillor

Published by Canadian Musical Heritage Soc .

Written in English

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Subjects:

  • General,
  • Music

Book details

The Physical Object
FormatPaperback
Number of Pages161
ID Numbers
Open LibraryOL11443483M
ISBN 100919883230
ISBN 109780919883239

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Composer Claude Achille Debussy (), with works available to browse and buy. (Achille) Claude Debussy was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. Works for Orchestra. Sheet Music, series published at Repertoire Explorer, Musikproduktion Höflich, Munich.

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The Six épigraphes antiques () are actually a reworking of incidental music Debussy wrote for a single performance of 12 of Louÿs' Chansons de Bilitis -- staged as a recitation with "living tableaux" -- on February 7, In reworking the incidental score (for two flutes, two harps, and celesta) into the Épigraphes, Debussy retained only about half of the original music.

(Version d’orchestre de Ferenc Farkas, création nord-américaine / Orchestral version by Ferenc Farkas, North-American premiere) André Jolivet Concerto pour basson avec harpe, piano et orchestre à cordes / Concerto for bassoon with harp, piano, and string orchestra Johannes Brahms Quatuor pour piano no 1 en sol mineur, opus 25 /.

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Novars (extrait) pour support s' éréo () Charles Ives: Three Places in New England, (). Listen to Symphonie espagnole pour violon et orchestre en Ré Mineur, Op.

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IV. Andante, a song by Lorenzo Gatto on TIDAL.The Music Treasures Consortium is an alliance of many libraries. The Library of Congress is hosting the consortium Web site which gives bibliographic information on each item; access to the digital items is provided through links to the holding library's own Web site.Her musical curiosity and range are reflected in her lauded discography for Brilliant Classics—including the complete piano works of Ginastera, the Liszt Transcendental Etudes, and the complete Debussy Etudes—as well as her association with IRCAM, a Paris-based incubator for music and technology.

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